Saturday, May 2, 2009

Maiden Issue of the WV Magazine (Vol.1 No.1, May 2005)

We are back!

Vol.1 No. 1 - Freespirit

We are Back!

Beginnings

By JO MARTINEZ–CLEMENTE, Editor

Unless I insist that all Filipinos came from the “royal oats” sown by the Bornean Datus when they first came into the country, I take no roots nor bearing in Western Visayas. And so I insist – but with due respect to the people of the region.

I first came to Iloilo City in the early 80s as a delegate to the national congress of the College Editors Guild of the Philippines. It was a very fleeting visit, the place hardly remembered as we were more embroiled in the issues confronting student writers then than doing the rounds of the province.

I shunned another opportunity to frequent the area when I was with the public relations department of one of the top corporations in the country. For one reason or another, I wasn’t able to visit Iloilo or any part of the region (except Bacolod City) the eight years I was there even as I move about every nook and cranny of the Philippines. When I left the company, I had in my desk quite a number of unused plane tickets all bound for Iloilo.

Until recently, Western Visayas for me was synonymous only to big political names that come from the region: Drilon, Defensor, even Jose Pidal. It is also home to two provinces lodge among the country’s bottom 20, Antique and Guimaras. But a destination area for tourist as it is also host to Bacolod’s Masskara Festival and Aklan’s Ai-Atihan and yes, for better or for worst, the world renowned, Boracay.

Call it serendipity, but soon after, my succeeding engagements as consultant of the Philippine Office of an international development organization brought me to the inner depths of the region. My encounter with ordinary folks in Guimaras and Northern Iloilo brought back a sense of what I lost along the way. These are in areas where there is more water than land and how people cope with day to day concerns. I joined fisherfolks in the island barangay of Bangongon in Conception, Iloilo as they laid out artificial reefs in the sea. Together with the community at the Jordan Marine Reserve in Guimaras, we let out to its natural habitat a pawikan. The interest spawned by these discoveries led no more.

Skeptic to the hilt, I found fresh hopes in some of the local government officials I met from the region and believed once again that there is still hope for the country.

And then I remembered. As an aspiring writer, I looked up to Graciano Lopez Jaena, one of Jaro’s most illustrious sons. In the days of our student activism, we took our hats off to one Antonio Tagamollila, an Ilonggo. And now I know that Guimaras and Antique are no longer in the list of the country’s poorest but are two of the most promising areas in the country.

In sum, Western Visayas for me has ceased to be a simple spot on the map. Whatever reasons fate has for shutting me out of the area in the past is probably the same reason why the area was superimposed before my very countenance now.

Be that as it may, I take liberty in saying all this to lend a bit of transparency as to who I am and why am I here and in doing so, be allowed to just move about without having to insist that I too, came from the barren soil sown and enriched by Datu Sumakwel and his peers.

WV Magazine, Volume 1, No. 1, May 2005

Other article of Jo Clemente

Vol.1 No.1 - Editorial

We are back!

By the Stoplight

Jo Martinez-Clemente

Finally, after hundreds, nay, even thousands of years, we ponder at the crossroads laid before us. Which corner should we take? Must we walk through or cross when the red light flashes? And so, by stoplight we pause.

In Iloilo City, this stoplight could be any which one that hang in its mid-streets. But not so. In this community, there is only “the stoplight” and this is the one that beams over four street corners with four different names: Infante, Gen. Luna, M.H. del Pilar and Diversion.

What makes this stoplight pretty interesting is that it has become more of a landmark than the structures that surround it. And what makes it special is the fact that when someone refers to a stoplight, this is the one that sticks out like a sore thumb in the minds, even in the hearts of the residents.

Whatever made that is similar to whatever made the legend of the Bornean Datus rest in the heart of Panay and in the consciousness of its people.

The historical anecdote, true or not, sits at the very core of the region as this is the one that makes Western Visayas distinct from the rest of the regions in the country. It is this unique story told and retold through the centuries that gives credence to Panay’s claim that it is the cradle of Philippine’s civilization.

Yet, even as we grow and mature as a community, the stoplight never cease to flash its red light. So that now, we say “lugar lang,” and we pause and ponder anew.

We stop looking at what hangs and beams above us and at the crossroads lain before us.

Instead, we look back, more intently this time, because we want to move ahead with more defined steps. But still, we are thankful for out stoplight and the legend we grew up with because it is these common experiences that gave us a more defining sense of self.

Today, we are taking charge, ready to rewrite our own history as we know ourselves to be.

WV Magazine, Volume 1, No. 1, May 2005

Other articles of Jo Clemente

Vol. 1 No. 1 - Worldview

We are back!

Our Reason for Being

On its pages, the reader will find perspectives and information that reveal the essentials and unmask the myths and fiction that sometimes cloud history and ethnography.

DR. RUBEN Z. MARTINEZ, Publisher

Most likely, Toto or Inday can easily identify Ronald McDonald over Papa Isio or Rajah Sumakwel. This is the evident impact of globalization to the region, whether Western Visayas or other parts of the Philippines.

The generation ‘x’, or most of the younger generation, often do not have access to information about their region’s history, cultural icons and traditions and are more inclined and exposed to western pop culture.

They could easily identify with popular basketball players, pop stars and even mascots such as Ronald McDonald. Even in the remote areas, young and old alike are not spared of the homogenizing and globalizing influence of the western pop culture.

As a result, the region’s traditional knowledge and folk culture has increasingly been relegated to the dustbin of history and ethnographic past.

Anchored on the principle that familiarity often times ignore that which can be very important and substantive information for others, WV hopes to contribute to the vibrant literature in the region, but one written from a balance of an outside observer and participant’s perspectives.

WV draws from holistic and pluralist perspectives that recognize the cacophony of voices and views.

Superficial and oftentimes blind veneration distorts reality, whether past or present. As an outsider to the various social groupings within the Western Visayan Region, the observer provides fresh insights and outlook which may not be available to the participant-insider. Insider as participant of the different social groupings in most cases looks at events and transactions from the perspectives, values and aspirations to their group.

However, whether one is an outsider or insider in Western Visayas, we are all part of the bigger Philippine society. We are all concerned with the erosion of our cultural heritage, our traditional values and our history.

WV hopes to provide the medium, to articulate, to document and to present observations and insights on the culture, society and environment of Western Visayas.

WV provides in-depth observation and analysis, a mirror by which we look into our experience, where we are failing and where we are succeeding.

WV is a magazine for the people of Western Visayas as much as it is for the rest of the country and the world - this is the grid we want to traverse.

But more importantly, WV aspires to provide a breather between the fast and dry hard news, kneading on culture and tradition and how these came to be and looking into the patience and skills of rural folks and how these had sown and sustained the region’s trade and industry.

We believe, there is more to Western Visayas than its famous festivals and beaches. This part of the Philippines is one major player in the development of an informed Philippine Society and WV hopes to be a part in the writing of this continuing story.

WV Magazine, Volume 1, No. 1, May 2005

Additional Information on Culture, Ethnography and History check the author's blog - Anthropologist's Learning Journey, Iraya Journal, Solidarity Economy, and Human Responsibilities. 

Friday, May 1, 2009

We are back!

Yes folks, we are back online inspit of the global financial crises. The WV Magazine now in blog format willcontinue to feature stories about the Western Visayas Region

 

The long hiatus gave us opportunity to explore places, meet new friends and gather interesting materials. These include frequent trips to the different provinces of Western Visayas and my half year journey in China and Azerbaijan. Yes folks, there are also Bisaya (Ilongo and Cebuano) in these places. You would be amazed on what they do to survive and be able to send home their hard earned dollars. You can see the result in Antique, Ilo-ilo and Negroes Occidental, the OFW houses.

 

Stories about the people, society and environment of Western Visayas remain the main feature of this on-line magazine blog. Jo Martinez-Clemente, Associate Publisher and Editor of WV Magazine will give you vignette on the lives, dreams and aspiration, their concerns as they navigate the matrix of reality or unreality we are all embedded.

 

Regular Features

 

Worldview,  Editorial,  Special Report, Milestones, and  Festival Review


Special Reports on Travel, Industry, Sports and Health


WV Magazine, Volume 1, No. 1, May 2005